Schacter Gallery New York | Acconci Studio

KENNY SCHACHTER’S contemporary GALLERY
Location: Charles Lane, New York, NY, United States of America
Date: 2003
Materials: Steel, expanded metal, gypsum board, fluorescent lights
Area: 2,440 sqft
Contractor: G.B. Construction L.L.C.
Fabricator: Amsterdam Metal Works

The gallery is built and un-built and re-built from show to show. From the expanded-metal ceiling, downstairs and upstairs, panels pivot down to make overhangs, and walls, and rooms within a room.
Via: e-architect
Acconci Studio Website

Theatre-Mur Island, Graz, Austria | Acconci Studio

Site: A river that runs through the city
Date: 2003
Materials: Steel, glass, rubber, asphalt, water, light
Area: 10,310 sqft
Engineers: Zenckner & Handl; Kurt Kratzer
Contractors: SFL
Project: A twist in the river, a node in the river, a circulation-route in the middle of the river. The circulation-route is an island; the island is a dome that morphs into a bowl that morphs into a dome.
The bowl functions as a theater; the inside of the bowl is lined with bleachers – transparent bleachers, made of grating or perforated metal – that step down to a stage at the bottom of the bowl. When the bowl is not being used as a theater, it functions as a public space, a plaza, in the middle of the river; each line of bleachers waves in and out, it expands and contracts – instead of sitting straight ahead, facing front, you can sit face-to-face, for everyday conversation.
The dome functions as a café/restaurant. You enter from above, onto a terrace, or from below, into the restaurant/bar. A canopy above the downstairs entrance twists down to make lounge seats around the edge of the dome. Curved triangular tables can be used separately, for two people, or joined together, as tables for four or six or eight; curved triangular seats can be placed around the table, or joined with the fixed seating around the perimeter. The rubber edge of the terrace above twists down to make multiple bar counters, at different heights. Behind the bar, the wall is sucked in to make shelves for bottles, and for a cash register. Above, the perimeter of the terrace is made of tables and seats that swirl back into the interior. Water pours down the shell of the dome, into the river; up on the terrace, you sit closer to the waterfall over the dome.
Via-e-architect
Acconci Studio Website

National Grand Theatre of China, Beijing | Paul Andreu

Start of project: 1999.
Completion: 2007.
Designed by: Paul Andreu Architect associated with ADPi and BIAD Client: The Grand National Theater Committee.
Project Management: Felipe Starling.
Mains Architects: François Tamisier, Hervé Langlais, Mario Flory, Olivia Faury, Serge Carillon.

Area: 219 400 m2.
Cost: 300 M€.
The National Centre for the Performing Arts – 219.400 square meter – is located on the Chang’An Avenue in Beijing. The National Centre for the Performing Arts is separated from the Tian An Men Square by The Great Hall of the People. The building houses an opera house (2416 seats), a concert hall (2017 seats) and two theatres (one of 1040 seats) included in a titanium and glass shell which houses the public space. The glass opens the building like a curtain which we move away showing the interior : theatres, exhibition and public spaces. The titanium protects and covers, creates shadows areas more secret. The concept of the National Centre for the Performing Arts is a cultural island in the middle of a lake.